弗兰切斯卡·科门奇尼,克劳迪奥·库佩利尼,马尔科·达莫雷,恩里科·罗萨蒂,奇罗·维斯科导演执导的《《赤之约束》》，2019年上映至今获得了不错的口碑，由陈健一等主演的一部不错的美剧。

《赤之约束》剧情：

UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.

本片(👟)(piàn )讲(🏳)(jiǎng )述(shù(🥌) )了(le )分(🥔)(fèn )属(shǔ )两(liǎng )个(gè )政(zhèng )治集团的夫妻狄(🍞)云和(📋)(hé )凌(💊)(líng )雪(xuě(🍟) )之间(🕞)，在面对婚姻危机之后，共同找回属于两(🌆)个人(⛺)的爱(🌬)情，并最(🐳)终同仇敌忾，将倒卖国家火器的(de )西(xī )厂(🏈)(chǎng )提(Ⓜ)(tí )督(👭)(dū )刘(💈)(liú(🚜) )保(bǎ(⌛)o )绳(shéng )之(zhī )以法的故事。

Six individuals end up in a Hotel in the middle of nowhere with a very eccentric caretaker. They haven't arrived by accident. Age old, evil powers are within the hotel and behind the walls a deep dark secret hides. They have to survive the night but not everyone is whom they seem.

Alex, 43 ans, est dépanneur automobile dans le garage que dirige d'une main de fer sa mère. Un jour, il dépanne une jeune femme et passe la nuit chez elle, mais au petit matin elle a disparu lui laissant sur les bras trois enfants.

Risking their life, they climb on narrow mountain paths every day, carrying 40 kg of goods on their back. Every mistaken step may chance upon a landmine. They are hunted like wild animals. And in the name of what? To earn just 10 dollars a day!?

After years Toni and Rosa meet again in their old home village in southern Germany. While the village itself has to adapt to the changes of the future, the two women develop an explosive relationship until they reach a point, where both have to make a decision.

印(yìn )度(dù(🧤) )每(mě(🍽)i )年有(🤵)超过二(😠)万宗(🛢)针对女性的暴力罪案，平均每二十二分(🌙)钟就(📚)有一(🥎)名女性(⬅)被强(🎩)暴，每六小时就有一(yī )名(míng )妇(fù )女(nǚ )因(🏠)(yīn )家(🎠)(jiā )庭(👊)(tíng )暴(bà(⛽)o )力(lì(🈳) )丧命。年轻的基层女(nǚ )警(jǐng )索(suǒ )妮与上(🆘)司卡(🅰)帕纳(🌲)在德里(📝)一同接手调查不同的女性暴力事件，在(⭐)办案(😈)过程(🛠)中往(❤)往(🖍)遭受(🐾)到了重大阻力(lì )，无(wú )日(rì )无(wú )之(zhī )的(🚏)(de )罪(zuì(📏) )案(à(🈸)n )令她脾(👧)气暴(📩)躁，做事(shì )方(fāng )式(shì )偏(piān )离常规，被裁定(✝)在执(😍)勤中(🐶)行为不(⌚)当，而(👳)私人生活也影响到了她的职业表现，与(😔)丈夫(🌼)已经(🦆)彼此疏(🤟)(shū )离(lí )，却(què )要(yào )被(bèi )迫(pò )面(miàn )对(duì )他突然(🦃)的到(🚗)访。印(🚯)度电(dià(💛)n )影(yǐng )少(shǎo )见的写实题材，以一场一镜营(🌩)造出(🚟)真实(🌪)迫力(🏦)，将(🎙)社会(💡)低下层女性受到压迫的问题表露无遗(😧)。

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